Internet website blackouts in protest of Stop Online Piracy Act

Do you use Wikipedia, Gizmodo, Reddit, Google, Twitter? These sites are protesting the SOPA anti-piracy legislation brought before the US Congress and Wikipedia has taken the extra step of instituting a “blackout” today to express their opposition to SOPA.

If this piece of legislation is passed, it would likely grant content creators extraordinary power over the Internet, open up the potential for abuse of such resources and even a sort of “Internet blacklist”.

SOPA possesses the ability of intellectual property owners in media, like movie studios and large record labels, to effectively stop foreign sites against whom they have a copyright claim registered. According to Gizmodo: “If Warner Bros., for example, says that a site in Italy is torrenting a copy of The Dark Knight, the studio could demand that Google remove that site from its search results, that PayPal no longer accept payments to or from that site, that ad services pull all ads and finances from it, and—most dangerously—that the site’s ISP prevent people from even going there.”

Gizmodo further outlines the situation: “All it required was a single letter claiming a “good faith belief” that the target site has infringed on its content. Once Google or PayPal or whoever received the quarantine notice, they would have five days to either abide or to challenge the claim in court. Rights holders still have the power to request that kind of blockade, but in the most recent version of the bill the five day window has softened, and companies now would need the court’s permission.”

Many of us take for granted the right and leisure to access these prominent websites and don’t realize the impact of political haranguing behind the scenes in the intellectual property owner debate.

What are your thoughts on this SOPA protest undertaken by prominent Internet websites today? Join the conversation and post your thoughts.

 

VIFF Opening Gala Reception

Recently I was invited to the VIFF opening gala party at the Rocky Mountaineer Station Thursday, September 29. It was a lavish affair in a gorgeous venue filled with sensory delights for tastebuds, eyes and ears. The theme was 30’s Art Deco costumes. I spied many VIFF revellers decked out in their best to celebrate the evening. As a film lover, I was particularly excited to check out the local social scene surrounding the VIFF spirit as it was my first time. As I made my way into the entrance, I noticed a wall of sponsor logos with a red carpet and many were posing on it with glee, reminiscent of the celebrity arrivals at film premieres.

There were some lovely white sculptural ornaments at the bar along with giant screens of classic movies and many happy faces surrounding the jive dancing troupe with live band. I met the adorably paired Aaron Malkin and Kat Single – Dain of the Dusty Flowerpot Academy.

Culinary delights were served for the enthusiastic crowd at various tables: fresh oysters from Joe Fortes Seafood and Chop House, seafood appetizers from Goldfish Pacific Kitchen, smoked salmon tarama at Nu Restaurant and wild salmon lollipop from C Restaurant. The crowd pleaser was the tuna and salsa tortilla, hand made gnocchi, pull pork sliders and made-to-order Mai Tais from the dapper bartender at the Earl’s Restaurant table. Wolf Blass wine was served and paired wonderfully with the food. Dessert from Daniel Le Chocolat Belge and the oh-so-good donuts and coffee from Ethical Bean Coffee were served.

Guests were encouraged to take a fun photo opportunity at the Hello! magazine booth and have your own “magazine cover”  as a souvenir to take home when you pose for the camera. The night was not complete without a stunning Cirque Du Soleil style acrobatic performance with artists twirling down perilously and entwined on long pieces of fabric attached to the ceiling. I enjoyed myself at this party and hope to meet more cinephiles and industry folks next year!

Meetup.com’s 9/11 story

Storytelling has become an integral part of a comprehensive digital marketing communications strategy and to tell a good story to a captive audience to reinforce your brand can be hugely rewarding.

I received this email in my inbox from Scott Heiferman, the CEO of Meetup.com, to all Meetup members to explain that the anniversary of 9/11 coincides with its inception of the innovative social community network that links its members with shared interests plan meetings and form offline clubs in local communities around the world.

I thought it was an interesting social and marketing piece to discuss – how it was borne from a negatively associated event that has gone on to impact the whole world. This pr piece tells a good Internet success story that really focuses on what it means to be social and form community in an increasingly divisive and polarizing world.

This story is compelling because of these reasons: it connects an emotional event that resonated with and affected many people around the world to its mission and purpose. The announcement is timely and phrased in an effective call to action that Meetup couldn’t be where it would be without you. To band together in community is to build a strong network and be resilient in the face of adversity. The message is that Meetup can help facilitate this community building and that’s only the beginning!

The letter below illustrates that emotional branding can be a powerful tool to connect with your audience and solidify your brand in their eyes. Join in the conversation and let me know what you think of this story.

Fellow Meetuppers,

I don’t write to our whole community often, but this week is
special because it’s the 10th anniversary of 9/11 and many
people don’t know that Meetup is a 9/11 baby.

Let me tell you the Meetup story. I was living a couple miles
from the Twin Towers, and I was the kind of person who thought
local community doesn’t matter much if we’ve got the internet
and tv. The only time I thought about my neighbors was when I
hoped they wouldn’t bother me.

When the towers fell, I found myself talking to more neighbors
in the days after 9/11 than ever before. People said hello to
neighbors (next-door and across the city) who they’d normally
ignore. People were looking after each other, helping each
other, and meeting up with each other. You know, being
neighborly.

A lot of people were thinking that maybe 9/11 could bring
people together in a lasting way. So the idea for Meetup was
born: Could we use the internet to get off the internet — and
grow local communities?

We didn’t know if it would work. Most people thought it was a
crazy idea — especially because terrorism is designed to make
people distrust one another.

A small team came together, and we launched Meetup 9 months
after 9/11.

Today, almost 10 years and 10 million Meetuppers later, it’s
working. Every day, thousands of Meetups happen. Moms Meetups,
Small Business Meetups, Fitness Meetups… a wild variety of
100,000 Meetup Groups with not much in common — except one
thing.

Every Meetup starts with people simply saying hello to
neighbors. And what often happens next is still amazing to me.
They grow businesses and bands together, they teach and
motivate each other, they babysit each other’s kids and find
other ways to work together. They have fun and find solace
together. They make friends and form powerful community. It’s
powerful stuff.

It’s a wonderful revolution in local community, and it’s thanks
to everyone who shows up.

Meetups aren’t about 9/11, but they may not be happening if it
weren’t for 9/11.

9/11 didn’t make us too scared to go outside or talk to
strangers. 9/11 didn’t rip us apart. No, we’re building new
community together!!!!

The towers fell, but we rise up. And we’re just getting started
with these Meetups.

Scott Heiferman (on behalf of 80 people at Meetup HQ)
Co-Founder & CEO, Meetup
New York City
September 2011

Transmedia 202: Further Reflections

Henry Jenkins is a respected scholar, author and expert in the field of media, communications and popular culture. His Convergence Culture: Where Old and New Media Collide book was groundbreaking. It explored media audiences, participatory culture, the new nature of commercialized culture, and how the “fanboy” economy is imperative to the operation of culture industries in our highly networked society.

I learned about his work and contributions as an SFU Communications student and am continually amazed by his work on media theory. Recently I read up on his fascinating ruminations about transmedia storytelling from 2007 and his new update: Transmedia 202: Further Reflections. We see the evolution of transmedia entertainment happening almost everywhere now as comic books/adult graphic novels get greenlighted and turned into movie franchises and it trickles down into aspects of our culture. He expands upon the previous notions to explain that transmedia storytelling is much more than branding and franchising and rather a logical extension of the content process.

According to Jenkins: “Transmedia storytelling represents a process where integral elements of a fiction get dispersed systematically across multiple delivery channels for the purpose of creating a unified and coordinated entertainment experience. Ideally, each medium makes it own unique contribution to the unfolding of the story.” Jenkins describes it as a process of being interconnected with its various iterations and to be multimodal. Transmedia storytelling offers:

  • a backstory
  • maps the world that is created in the story
  • offers other character’s perspectives on the action
  • works to deepen audience engagement

I encourage you to explore this topic and let me know your thoughts. What are your favourite transmedia products? Glee? The Matrix? Harry Potter? There are so many!